Tag: amediting

At seven, when I began writing, I wrote because it was fun. Bad poems about ax murders and dragons (don’t judge) and adventure tales that involved hot air balloons and evil people chasing me was the bread and butter of my portfolio.

None of it was “ready,” but like I said–it was a blast. (Even the time the principle called my mothers to rat on me about a mean spirited poem I wrote centering around a girl in my class. To clarify, she’s punched me–I only wrote about wanting to hit her. I’m the classy one.)

In my teens I wrote more poetry. Filled with teen-angst and “why is the world so cruel” themes. This was in my journal. Even the story about a frog that was the wrong color. Everyone made fun of her, until she finally left home. Then, she made a friend–an albino crocodile–and together they saved everyone in her pond. (No, the crock didn’t eat anyone. She was lonely too.)

In my twenties I started to take writing more serious. I wrote a futuristic fantasy novel that had elves and talking crows. Once finish, I promptly showed it to no one. That said, I did my research, all with the intent to publish–yet I never did.

My second attempt was a romance novel. For me romance has always been a palate cleanser. I read the genre when I need a break from the other genres I read. I actually love romance–for this reason. Sometimes a story only needs to be skin deep. Two people meet, they fall in love, life tears them apart–they find each other in the end. There is perfection in that formula.

This novel was rejected. I wasn’t as tenacious back than as I am now. After one rejection I quit–for a long, long time.

I still wrote. Poems. Songs. Long rants in my journal about how I felt, my love/hate relationship with the world. With life. A script about a girl in love with a guy in a band. Two scripts that were horror movies. (One I still love. The other, I love one scene from. Sadly it doesn’t translate to novel writing. It was a camera thing.) And another story (which I adore, but the premise wasn’t my idea, so I let it sit, dusty and untouched) was the story of a young boy–set in NYC in the late 70’s. Seriously, I sometimes think about this kid. If you know me, and have read some of my stuff–the kids name was Malcolm. I loved him so much, I moved him into a new world. I made him grow up. He became a wonderful man–I’m slightly in love with him.

Then I got pregnant. Lost my job. Went to yoga teacher training to help reinvent myself–and then it happened. At our graduation celebration, a yogi friend said, “What are you thinking about now, Aryn?” and before I could lock my brain down or keep my mouth shut, I said, “Writing. I wish I was writing.”

And so I did. I moved. Had a few poems published.

I wrote another book. Then I rewrote that book. And then I rewrote it five more times. Rejected. (a big whole bunch.) (YA Fantasy/Horror)

So I wrote another book. This one for someone. The first draft sits, because… I don’t know. I can’t seem to reconnect with the content. This, like the story with the boy, has some parts I adore–but there is a mind blockade. A wall of white noise. It wears me down. (Historic Fiction)

Wrote a novella. (Sci/fi YA)

Then the one I have out on query. Actually, this was written prior to the one for a friend. I sent it out–Rejected. So I reworked it. From first draft to fifth, I found a writing partner. She helped me fix it. Still rejected. (Speculative Science Fiction)

Rejected so many times I’ve learned to flinch when my email pings. I turn my ringer off now.

In October I finished the first draft of a new book. I have high hopes for this one. It’s early. I hoped to have the second draft down by now–but the hell death plague that devoured my house, and my health, made certain that wasn’t an option. (Urban Fantasy)

I haven’t been seven in a very long time, but I can tell you this with all honestly–writing is still fun. I no longer write about the mean girl, or how I wish something bad would happen to her. If there is one thing that writing has taught me is the importance of being selective–in what you write about, who you spend your time with, where you put your energy.

It shows.

I’m hoping this next book is my lucky charm. Or maybe there is an agent out there–right now–reading my query for my current piece on submission who wants more. I don’t know. All I’m sure of, flinching aside, all I’ve ever known is writing. It is my expression. My soul. It is all I want.

Words.